Early Morning, Café in Barcelona
Secrets
& Grounded
Peggy Hammond
Flagstones sparkle with last night’s rain.
Steam curls from exhausted espresso machines.
This trip, a diversion & I shouldn’t complain.
You marvel over delicate strands of saffron,
such shocking, tender red, linear wounds
that will not heal. Exotic temptation in an
ordinary market stall.
Later, you murmur we can master paella but
doubt we’ll reproduce such coffee back home.
Your worried eyes flick to me but I pretend not to notice.
That word, reproduce. You want to see if I will stumble again.
My dear, I am faltering. This stumble started last summer
& I’ve never righted. I pretend & pretend.
It’s easier here in Spain.
No crib stands in silent accusation,
no teddy bear eyes reflect the failure
of our cells.
When we paused at a cathedral yesterday, you said
let’s get married again, just go inside, whisper
our vows & honeymoon for days.
My heart’s blood rushed then slowed, remembering our
plan for pattering feet to wake us,
for small, warm bodies to fling into bed with us.
Instead, we are here, in a city in a country we visit,
winding up & down narrow streets
until night showers us with stars,
averting our eyes as laughing families
guide strollers over old stones.
We step aside, tourists,
temporary in their land,
taking in the sights, cameras hanging heavy,
weighted with memories.
Early Morning, Café in Barcelona
Secrets
When we are nine, we play
croquet on the lawn; we don’t
know rules, just hit colorful balls
through wire brackets.
Tobacco fields around us, stalks heavy
with leaves but today is Sunday
and our parents say god doesn’t
like work this day.
Our fathers toss horseshoes under maples.
Metal clangs and their laughter
rise and race to white clouds
streaked across the bluest sky.
Somehow I hear your mother
whisper to mine you cannot nap
alone. She must stand guard, form
a wall around you.
She cuts her eyes to your father;
my mother shakes her head.
Later when I cross through your bedroom,
my feet hurry. What lives here that stops
you from sleeping by yourself?
Against your pillows, a doll with
tangled hair, one black shoe off, plaid
dress crooked, a stuffed tiger, plastic
eyes shiny as sunlight.
When I reach the den, your father
is there. He hands me an orange popsicle,
says, it’s good, as your mother
calls my name, her voice loud and sudden,
hailstones in oaks. She stands in the doorway,
her face bleached as those clouds,
your father’s eyes as blue as the sky.
That night I dream a forest;
we hold hands, slip between pines,
weave their green needles into our hair,
declare ourselves sisters.
A hawk circles above us;
somewhere croquet balls collide and smack
while men laugh and throw lit matches.
Their eyes are feral, our skin
too tender for their hunger.
The hawk swoops close, whispers
run.
When I am seventeen,
I smoke a joint with a girlfriend in a field
behind her house. A hawk
lands in a dead tree then turns
into a woman on a white horse.
The woman has your face but my thoughts
are clumsy; they stray like ladybugs finding their way
through moss littered with leaves.
I can’t speak to you through this distance.
A week passes before I learn you are gone.
I hold my sadness close, like a small animal
I am comforting.
Grounded
My grandmother never learned to drive,
never flew in an airplane. Stayed
on that tobacco farm, grew a large family,
tended a large garden.
She and her mother made quilts to cover
five babies, stuffed newspapers in walls
for insulation against a drafty house.
She cooked breakfast early,
then started on lunch and supper soon after
while her husband worked the fields.
When my aunt talks of leaving home as a
young bride moving north, hundreds of miles
away, she marvels her mother didn’t make a fuss
or fanfare, just smiled around the words
visit when you can, then walked toward the pond dam
to the brimming garden beyond,
sunbonnet flopped on her gray hair, silver
pail swinging from her hand.
My grandmother saved her tears to baptize
tomatoes and beans,
let her daughter go into the world strong
and shining.
Peggy Hammond’s recent poems appear or are forthcoming in The Blue Mountain Review, Olit, UCity Review, Heimat Review, Anti-Heroin Chic, River & South Review, The Paper Crow, Roanoke Review, Crosswinds Poetry Journal, and elsewhere. She is a Best of the Net nominee, an Eric Hoffer Poetry Award nominee, and the author of The Fifth House Tilts (Kelsay Books, 2022). Learn more at https://peggyhammondpoetry.com/